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Essays
A Close-Up View of Raymond Pettibon’s Torch-Lit America for Highsnobiety
A Moment To Rethink How We Support Music for The New Yorker
Kicking and Streaming for The Baffler
I Quit the Evangelical Church I Grew Up In for The New York Times
Crawling Through New York City with the Artist Pope.L for The New Yorker
The Case for New Age Music as American Folk Art for The New Yorker
The Long Afterlife of Roy Cohn for The Baffler
Whither the Newsman: On Mike Wallace and 60 Minutes for The Baffler
“The Raft” Chronicles an Extreme Experiment with Human Nature for The New Yorker
Schlock and awe in Adam McKay’s Vice for The Baffler
Who can fix the Alligator State? Or put an end to the joke? for The Baffler
Profiles
Nikil Saval’s Political Imagination for Ssense
Julia Fox, Diamond in the Rough of ‘Uncut Gems’ for The New York Times
Tom Sachs’ Entire Life is Art for Highsnobiety
Ryuichi Sakamoto wants to forget the past and feel the unknown for Dazed
Hilton Als Wants to Save James Baldwin From Us All for Interview
Looking at Alex Katz as He Looks at Art for Interview
Amen Dunes makes peace with ‘Freedom’ for Document Journal
John Maus is Making Outsider Pop for the End of the World for Vulture
Ariel Pink Opens His Big Mouth Again for W Magazine
Is Mac DeMarco Really All Grown Up Now? for W Magazine
Owen Wilson is Wonderstruck for United Airlines’ Rhapsody Magazine
Keegan-Michael Key’s Dramatic Step Forward for Rhapsody Magazine
Robin Wright Plays the Long Game for Rhapsody Magazine
Lynn Nottage Is a Working Class Hero for Amtrak’s The National
Branden Jacobs-Jenkins on His MacArthur Grant for The National
Angel Olsen’s Endless Road for The National
Historically Speaking With America’s Oldest Journalist for The National
Features and Reporting
What Do You Do When Extremism Comes for the Hawaiian Shirt? for The New York Times
Weird Times Call for Even Weirder Shoes for The New York Times
How the Coronavirus Crisis Is Devastating New York City’s Nightlife Community for Pitchfork
The Suraj Patel Campaign’s Ready-to-Wear PartyPolitics for The Baffler
Notes from Amazon’s Occupation of Soho for Interview
Six Mobilized New Yorkers on this Political Moment for Interview
Former Interview editor Bob Colacello on the magazine that did it all for Document Journal
How Mexico’s Festival NRML Became a DIY Institution for Vice’s Thump
One Day at the World’s Largest Collection of Outsider Art for The National
The First Emoji Comes to MoMA, for The National
Gentlemen Start Their Engines for The National
Our Trump Dump for Daily Intel
Planned Parenthood Files Lawsuit Over Secretly Filmed Videos for Daily Intel
If You’re Black, You’re Twice as Likely to Be Roughed Up By Police for Daily Intel
Gov. Cuomo Announce Minimum Wage Hike for New York for Daily Intel
Tesla Now Has a Serious Challenger for Daily Intel
Florida Called Off Its Big Black-Bear Hunt After It Became a Massacre for Daily Intel
Three Years On, Are We Ready For The Next Sandy? for Daily Intel
Airbnb’s Passive Aggressive Ads Backfire in San Francisco for Daily Intel
US Government Asks Why Does ISIS Drive Toyotas? for Daily Intel
Lawmakers Grapple With Question of Life After Digital Death for WFSU-FM
Legislators Eye More Public Records Exemptions for WFSU-FM
Uber Preps for State Regulation for WFSU-FM
Scott Maddox to Run for Leon School Superintendent for WFSU-FM
Reviews
Laraaji’s Sun Piano for Pitchfork
John Carroll Kirby’s My Garden for Pitchfork
The Space Between: A Review of Dan Fox’s Limbo for Bookforum
Galcher Lustwerk’s Information for Pitchfork
Ariel Pink’s Ariel Archives Vol. 1 for Pitchfork
The Unfinished Work of William Eggleston’s Los Alamos for Document Journal
Interviews
Dua Lipa for Highsnobiety
Damian Lillard for Highsnobiety
Tame Impala for Highsnobiety
Brian Lamb for The New Republic
Bob Colacello for Interview
Schoolboy Q for Interview
Stephen Malkmus x David Chang for Interview
Ilhan Omar x Ava DuVernay for Interview
Jessica Pratt x Daniel Arnold for Interview
Steve McQueen for Interview
Paul Dano for Interview
Jeremy O. Harris for Interview
Ethan Hawke for Interview
Actress for Interview
Sandi Tan for Interview
Oneohtrix Point Never for Interview
Robert Pattinson x Willem Dafoe for Interview
Jeffrey Deitch for Interview
serpentwithfeet for Document Journal
Luca Guadagnino for Document Journal
Édouard Louis x Zadie Smith for Document Journal
Sofia Coppola for Document Journal
Ciro Guerra for Vulture
David Byrne for Rhapsody Magazine
Sam Richardson for Rhapsody Magazine
Wallace Shawn for Rhapsody Magazine
Zadie Smith for Rhapsody Magazine
Werner Herzog for Rhapsody Magazine
Riz Ahmed for Rhapsody Magazine
Trevor Noah for Hemispheres Magazine
Dan Rather for Hemispheres Magazine
Editing
Snacking Towards Bethlehem: A Culinary Odyssey Down L.A.’s Western Avenue for Interview
We Asked New York Booksellers About Sally Rooney Fever for Interview
The Rapper Slowthai Wants to be the Ambassador of Everywhere for Interview
Gary Indiana Coughs Up Some ‘Hairballs of Insight’ About New York City’s Vile Days for Interview
Anohni Sets Out, Once Again, on a New Artistic Odyssey for Interview
We Spoke with 8 of the Real Wolves of Wall Street for Interview
Claire Denis is in No Rush to Make Films for Anyone but Herself for Interview
The NBA Guard Jimmy Butler Has No Plans To Settle Down for Interview
The Painter Jonas Wood FaceTimed Us to Talk Exotic Coffins for Interview
Tabitha Soren is Using the Residue of Human Contact to Make Sense of Our Virtual World for Interview
Kate Wagner of McMansion Hell on Our Ugly, Tacky, and Atrocious Cultural Moment for Interview
15 New Yorkers on the Dank New Dawn of Legal Weed in the Big Apple, for Interview
The Energy of a New Moment for Document Journal
The Director Gaspar Noé Offers Us Advice on Getting High for Interview
The Author Christopher Castellani on His New Novel About Tennessee Williams’s Lover for Interview
Rising Comedian Patti Harrison Asks Tim Heidecker for Career Tips for Interview
The Artist Bunny Rogers is Making the Macabre Optimistic for Interview
Photographer Heji Shin on Taking Portraits of Kanye West for Interview
Meet New York’s Newest Neighborhood, Hudson Yards for Interview
Grace Wales Bonner Tells Ishmael Reed about the ‘Rhythmicality’ of Her Fashion for Interview
Talking With the Arthandler, the Art World’s Fly on the Wall for Interview
The Last Interview with the Sculptor Robert Morris for Interview
Bruce Nauman’s Blissful Boredom for Interview
After a Four-Day Q&A, the Artist Danny Fox Stops Texting Us Back for Interview
Jonathan Lethem’s Private Eye is Set Loose in Our Madhouse Moment for Interview
The American Lie at the Heart of Christie’s Rockfeller Auction for Document Journal
Forensic Architecture are Rebuilding Objective Truths in a Subjective World for Document Journal
If You’ve No Sense of Humor, Don’t Speak to Geoff Dyer — or Read His Books for Document Journal
Noemi Lefebvre created a space to breath in ‘Blue Self Portrait’ for Document Journal
A Less-Spoken Promise of the American Dream: Instant Vigilantism for Document Journal
The Existential Paranoia Fueling Elon Musk’s Fear of AI for Document Journal
What Does the Rise of Workwear Say About Labor in the Age of Automation? for Document Journal
On the Artworks Counted as the Newest Detainees of the War on Terror for Document Journal
Listening to Irv Teibel’s ‘Environments’ in the Future it Predicted for Document Journal
Aggregators of Anxiety: On Cambridge Analytica and Jon Rafman for Document Journal
Destination POV: Travel in the age of Instagram for Document Journal
Nan Goldin, Gary Indiana, and Dev Hynes Reflect on Peter Hujar’s Timeless Portraits for Document Journal
As Hyper-Violence Creates a Dysphoric Present, One Writer Stops to Survey Our Collective Unmooring for Document Journal
When the Circus Leaves Town for The National
Death in the Afternoon, Or Something Like It for The National
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